Christopher Nolan’s The Odyssey, now in theaters, is the first feature film ever shot entirely with IMAX 15-perf/65mm film cameras, a milestone enabled by a newly developed camera generation named the Keighley. Let’s dive into what the quieter, rebuilt camera, a purpose-built (and massively large) sound blimp, and three-minute film magazines meant in practical terms on a 91-day shoot across six countries. For two decades, IMAX film photography in narrative features has followed the same compromise: the format’s enormous 15-perf/65mm negative delivered unmatched image quality, but the cameras were so loud, heavy, and short on runtime that directors reserved them for action and spectacle, switching to quieter formats for dialogue. […]
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