There is something almost rebellious about switching off the film lights. No towering HMIs. No glowing softboxes. No cables running across the floor. Just the world as it is: Sunlight pouring through a window, a flickering candle, a neon sign outside the bar, maybe a desk lamp in the corner of the room. It feels honest and raw, doesn’t it? In this article, we’ll take a look at the available light approach and how different contemporary cinematographers find their way to it. In a fragment of Shotdeck’s talk about the Oscar-nominated film “Train Dreams,” shared on social media, the DP Adolpho Veloso discusses limitations they faced and the solutions they […]
Đọc đầy đủ tại: CineD