When Christopher Nolan hired Jennifer Lame to edit Tenet, his 2020 sci-fi action thriller, she’d never worked on a project quite like it before. Her background was in far smaller films, including Noah Baumbach’s Frances Ha (2012), Mistress America (2015), and Marriage Story (2019), as well as Kenneth Lonergan’s Manchester by the Sea (2016) and Ari Aster’s Hereditary (2018). Jumping into a project featuring big fight scenes and car chases filmed backward, Lame had a lot to get her head around, and has admitted it was intimidating at first. “I started having to just imagine the cars in these big action sequences as people, giving each car a personality, and have […] Source
Đọc đầy đủ tại: Filmmaker Magazine